• Trip-Hop- Thievery Corporation - Until The Morning

    I keep on fear, keep on loathing Nothing brings it on I keep on falling Decide what it is I can not find It subsides what you make it Never feel like you're gonna break, ye It's gonna be alright alright Sleep until the morning comes The sun will warm your soul Sleep until the morning comes for you Til the morning it's alright I can walk into the sunlight, into the day, into the day, to the day I feel it falling, nothing comes to my mind Bring it on in a different tide I feel alright, alright I feel strong, i feel rigid It's nothing to do with the vision Oh feels so right, so right Sleep on tight, sleep on tight Sleep until the sunlight Sleep until sunlight Sleep on tight Sleep on tight Sleep on tight Sleep on tight, til the sunlight Sleep on tight, til the sunlight burns you happy Til the...

    published: 14 Jul 2012
  • Basso Ostinato demo

    Early music performance "BASSO OSTINATO " An interactive early music project based on basso ostinato. Mystery, surprise, unexpectedness, a little shock, and all of that under the familiar clichés from old mafia films - these are the main ingredients of the performance, where the spectator becomes not only an observer but also a participant in the play. Director: Adrian Schvarzstein (Spain/Argentina) Music Director: Rūta Vosyliūtė (Lithuania) Choreographer: Jūratė Širvytė-Rukštelė (Lithuania) Soloists: Nerijus Masevičius (basso, Lithuania), Rūta Vosyliūtė (soprano, Lithuania) Music: Alina Rotaru (Cembalo, Germany / Romania), Darius Stabinskas (cello, Lithuania), Ieva Baublytė (recorder, gothic harp, Lithuania), Raimonds Melderis (violin , Latvia), Fernando Olivas (baroque guitar, theorba,...

    published: 23 Aug 2017
  • Bejun Mehta: The complete "3 Shakespeare songs Op. 6" (Quilter)

    3 Shakespeare songs (Op. 6): I. Come away, death 00:00 II. O mistress mine 02:53 III. Blow, blow, thou winter wind 04:24 Quilter, Roger (1877-1953) -composer Bejun Mehta -countertenor Julius Drake -piano Playlist: "The art of British song: Elgar, Somervell, Williams, Finzi..": https://www.youtube.com/playlist?action_edit=1&list=PLdM8VSWYvcWG_X-lGBATHMoJTGPlAV1TQ Score: http://burrito.whatbox.ca:15263/imglnks/usimg/4/4c/IMSLP218532-SIBLEY1802.20489.bda5-39087013698479score.pdf Roger Quilter's first group of songs setting texts of Shakespeare, from 1905, was so successful that the composer was often (and with similiar success) to return to the Bard's work. Quilter was, of course, only one of the legion of composers who found inspiration in Shakespeare, but his sensitive, artistic setting...

    published: 30 Aug 2014
  • Agenda 21, The Plan To Kill You - David Icke

    World Tour Tickets - http://www.TheWorldWideWakeUp.com 2016/17 Agenda 21 or Agenda 2030 The Plan To Kill You - David Icke - The United Nations Depopulation Plan The global cabal of U.N. Agenda 21 is behind global warming, regionalism, zoning, land and water use control, wealth redistribution, weakening and eventual replacement of the dollar as the world’s reserve currency, global warming, cap and trade, Smart Grid, Smart Meters, carbon taxes, high gasoline prices, global citizens, IB World Schools, Common Core nationalized education standards, biofuels, Marxist advancement across the globe, food control, water access control via the Law of the Sea Treaty (LOST), gun control, health control, the Arab Spring/Winter, unchecked illegal immigration, and they are unstoppable.’ All David's B...

    published: 14 Aug 2016
  • Parov Stelar - For All We Know [Ryou DJ Mix tracklist 23]

    Album: Parov Stelar ‎- Rough Cuts Etage Noir Recordings 2004 http://www.facebook.com/parovstelar Ryou: ♫Mixcloud: http://www.mixcloud.com/Ryou ♫Facebook: http://www.facebook.com/ryoukr http://www.facebook.com/xRyoux Photo: http://www.facebook.com/ohnoradeo http://www.facebook.com/radeosuicidegrils

    published: 04 Apr 2013
  • TOP 100 OPM TAGALOG LOVE SONG OPM NON STOP PART 02 - OPM New Songs 2017

    TOP 100 OPM TAGALOG LOVE SONG OPM NON STOP PART 02 - OPM New Songs 2017 Subscribe for more: goo.gl/TKbw5g Page Facebook : https://www.facebook.com/Love-Music-458471444337909/ Tweet : https://twitter.com/HoabinhI ► Invite you to watch : ✔OPM Songs : https://www.youtube.com/watch?v=a4nqWE1txIw ►Thank you for watching the video do not forget to Like , Comment , Share and Subscribe to My Channel

    published: 18 Jul 2017
  • "Ala fi Sabil Allah" by Sheikh Sayed El-Safti (Middle Eastern music)

    The renowned singer Sheikh Sayed El-Safti* (1875-1939) apparently began recording as early as 1907, possibly for the German independent Favourite label at first. Around ca. 1913 he recorded at least 2 dozen records for the Odeon company. He also recorded for Pathé ca. 1926, Polyphon, Columbia, and the Lebanese independent label Baidaphon in the late 1920s. His last recordings appear to have been ca. 1931. El-Safti specialized in several song types: the mawwal, a non-metric vocal improvisation on 4-7 lines of colloquial text, the dawr, a song type from the 19th century noted for the choral responses that occur in response to the soloist's improvisation in its second part (the ghusn), and the muwashah, a strophic song type in classical Arabic which originated in Al-Andalus. (These are simpl...

    published: 21 Aug 2013
  • Hector Berlioz- Harold en Italie [With score]

    Composer: Hector Berlioz (11 December 1803 - 8 March 1869) Orchestra: Philharmonia Orchestra Conductor: Sir Colin Davis Viola: Yehudi Menuhin Year of recording: 1962 Harold en Italie [Harold in Italy], Symphonie en quatre parties avec un alto principal [Symphony in Four Parts with Viola Obbligato], Op. 16, written in 1834 00:00 - I. Harold aux montagnes, Scènes de mélancolie, de bonheur et de joie [Harold in the mountains. Scenes of melancholy, happiness and joy] 16:32 - II. Marche de pélerins chantant la prière du soir [Procession of pilgrims singing the evening hymn] 25:36 - III. Sérénade d’un montagnard des Abruzzes à sa maîtresse [Serenade of an Abruzzi-mountaineer to his sweetheart] 32:11 - IV. Orgie de brigands. Souvenirs des scènes précédentes [The brigand’s orgies. Reminiscences ...

    published: 25 Mar 2017
  • Just intonation in the Renaissance

    For the footnotes and other extra information see the following link: http://tinyurl.com/hncqzcv http://www.earlymusicsources.com/home/more/youtube/justintonation Created by Elam Rotem, Oren Kirschenbaum and Johannes Keller http://www.earlymusicsources.com Audio, video and animations by Mel et Lac (http://www.meletlac.com) The sound samples were made using a special program developed by Johannes Keller (http://www.projektstudio31.com)

    published: 06 Oct 2016
  • L'Euridice by Giulio Caccini

    Innsbrucker Festwochen der Alten Musik 2013 Euridice, Tragedia Silvia Frigato (soprano) Orfeo Furio Zanasi (baritone) Dafne, Proserpina Sara Mingardo (alto) Venere Monica Piccinini (soprano) Arcetro Giampaolo Fagotto (tenor) Plutone Antonio Abete (bass) Aminta, Tirsi Luca Dordolo (tenor) Caronte Mauro Borgioni (baritone) Radamanto Matteo Bellotto (bass) Choir and instrumental ensemble Concerto Italiano Musical director and harpsichord Rinaldo Alessandrini Stage director and costumes Hinrich Horstkotte Stage design Nicolas Bovey Composta in Musica in Stile Rappresentativo by Giulio Caccini (1551--1618) Libretto by Ottavio Rinuccini Thirst printed version: 1600 Premiere: 1602, Florence In an attempt to revive classical Greek tragedy, the opera genre came into being around...

    published: 23 Aug 2013
  • Sad, but Beautiful Music

    A sad, but very heart touching music! Subscribe: youtube.com/user/610fatima New Video every Friday, so check out! Read my blog: http://sadmusic1.blogspot.ca/2013/08/hello-everyone-this-is-just-very-quick.html Ending by: dreamscence.org

    published: 28 Aug 2013
  • Kiri Te Kanawa: The complete "Les nuits d'été H. 81" (Berlioz)

    Les nuits d'été (H. 81): I. Villanelle 00:00 II. Le spectre de la rose 02:09 III. Sur les lagunes 08:41 IV. Absence 14:43 V. Au cimitière 20:21 VI. L'île inconnue 25:51 Berlioz, Hector (1803-69) -composer Kiri Te Kanawa -soprano Daniel Barenboim -conductor Orchestre de Paris Scores: I. http://sausage.whatbox.ca:15263/imglnks/usimg/4/4f/IMSLP55645-PMLP56273-Berlioz_-_Nuits_d___t____Op._7_-_I._Villanelle__orch._score_.pdf II. http://sausage.whatbox.ca:15263/imglnks/usimg/5/5e/IMSLP55646-PMLP56273-Berlioz_-_Nuits_d___t____Op._7_-_II._Le_Spectre_de_la_Rose__orch._score_.pdf III. http://conquest.imslp.info/files/imglnks/usimg/c/c7/IMSLP55647-PMLP56273-Berlioz_-_Nuits_d___t____Op._7_-_III._Sur_les_Lagunes__orch._score_.pdf IV. http://sausage.whatbox.ca:15263/imglnks/usimg/0/05/IMSLP55648-PMLP...

    published: 29 Mar 2014
  • Giovanni Gastoldi - Balletti per Cantare, Sonare e Ballare (1591)

    Giovanni Giacomo Gastoldi (ca. 1554 – 4 January 1609), was an Italian composer of the late Renaissance and early Baroque periods. He is known for his 1591 publication of balletti for five voices. Balletti (1591) 1. L'Innamorato 2. Introduittione a 1 Balletti (1:23) 3. Il bell'humore (3:07) 4. L'Acceso (7:28) 5. Concerto de Pastori a 8 (12:32) 6. Il contento (15:01) 7. Amor vittorioso (17:37) 8. Il Piacere (20:38) 9. La Bellezza (22:58) 10. L'Ardito (27:45) 11. Gloria d'Amore (31:14) 12. Speme Amorosa (34:53) Ensemble Musique Ancienne de Lyon Instrumentations et Direction musicale: François Castet Ensemble Vocal de Lyon Direction: Guy Cornut His two sets of balletti, a strophic vocal dance, however, are the most prominent and influential. These were written for five voices, and contain...

    published: 04 Jan 2016
  • FRANCISCA CACCINI, 'Ciaccona' (Il primo libro delle Musiche')

    - FRANCESCA CACCINI (18 September 1587 † after 1641) http://en.wikipedia.org/wiki/Francesca_Cacciniwas SECULAR SONGS FRANCESCA CACCINI, Italian Composer, Singer, Lutenist, Poet, and Music Teacher of the early Baroque era, was also known by the nickname "La Cecchina", originally given to her by the Florentines and probably a diminutive of "Francesca". She was the daughter of Giulio Caccini, and was one of the best-known and most influential female European composers between Hildegard of Bingen in the 12th century and the 19th century. Her stage work, 'La liberazione di Ruggiero', has been widely considered the first Opera by a woman composer. Francesca, who assumed an important role in the seventeenth century as a Voice Teacher in the Medici Court, also developed a compendium of contem...

    published: 28 Feb 2015
  • TripHop Techno Mania

    Techno Music Productions AKA IceWizardy 949 Orange County,CA Beat Productions studio Hit me for $20 dollar exclusives or $5 single customized productions. You know what it is, hit up yo boy and subscr

    published: 20 Jul 2014
  • Gs feat Shu Ga Сердце Prod by Gs

    собственно первая работа в стиле трип-хоп)) Большое спасибо оператору Толику http://vkontakte.ru/id7247322 Монтажеру Саше Пивоварову и естесвенно GS'у

    published: 10 Jun 2009
  • Bandies - Gopher Treble (Ep #1)

    Supernatural monsters are popping up all over town and the only ones that can stop them are The Bandies! Created and Written by: Sung Suh Animation Services, Voice, Post & Sound by www.littleblackstone.ca

    published: 14 Feb 2016
  • There's No Heroes-Blood Will Have Blood

    Live At The Green Turtle in Whittier, CA. If some of you never heard these guys before, please check them out and support them. www.myspace.com/theresnoheroes

    published: 19 Sep 2009
  • Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 1. The Mourning of Eurydice (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)

    Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in his reform of the operatic form, owes much to the genre of French opera, particularly in its' extensive use of accompanied recitative and a general absence of vocal virtuosity. In fact, it is generally supposed that Gluck frankly took Rameau's "Castor et Pollux" as his model when he sat down to compose "Orfeo": indeed, the plot of the earlier work has much in common with that of "Orfeo". Therefore, it seems quite fitting that twelve years after the 1762 premiere of the original work, in 1774, Gluck presented his work to the Parisian public, readapting it, in the process. This reworking was given the title "Orphee et Eurydice" which is the version of this ever well-known piece that I want to present in ...

    published: 10 Jan 2009
  • Enemiga le soy madre (Cancionero de Palacio)

    Cancionero de Palacio "Enemiga le soy madre" Juan de Espinosa Enemiga le soy, madre, a aquel cavallero yo. ¡mal enemiga le soy! En mí contempla y adora como a Dios que l'es testigo. Él me tiene por señora, yo a él por enemigo. Dos mil vezes le maldigo por lo cual no mereçío. ¡Mal enemiga le soy! The early-16th-century manuscript Cancionero de Palacio is a true musical treasure trove: it contains some 450 songs from the Madrid court, dating from the 15th and early 16th century. Most of these were composed by Juan del Encina (1468-1530), even though he was not officially related to the court. Most pieces in the Cancionero belong to the villancico genre, a folksy refrain song that could take its subject matter from almost every aspect of life, among which love or the ...

    published: 22 May 2010
  • Stable of Doom – Spooky Sights (Ep #2)

    What other terrifying creations exist in this horrible house? Created by Nick Lyons Animation Services, Post & Sound by http://www.littleblackstone.ca/ Follow #SpindoTV on Instgram! http://instagram.com/spindotv

    published: 29 Oct 2015
  • Casting - "Love the Skin You're In" Un Evenement de Mode Taille Forte - A Plus Size Fashion Event

    On February 16 2014, P.S. Montreal and Cath.A.Strophic Productions held a model casting for the upcoming "Love the Skin You're In" Fashion show, to be held on April 26th 2014. Video by My 11.11 Productions (http://vimeo.com/user9827590 and https://www.facebook.com/pages/My-1111-Productions/121926871224698) Event details: https://www.facebook.com/events/1407674952822464/ Event tickets: http://www.clubsoda.ca/en/spec-love_the_skin_youre_in-1094.php Special thank you to our judging panel and volunteers: Cath.A.Strophic Productions, Yael Perez / Miss Meow - Model and Entertainer, Andrea Hausmann Photography, Sonia Levesque Design, Evanescent Twin, The Models' Coach - Naïad International, Sylvain Bergeron, Mitzi Perez and Adam Geraldi Filmed at Shift Space (http://www.shiftspace.ca/) ...

    published: 17 Mar 2014
  • Qway-C - Take That Picture (OFFICIAL VIDEO) YSMG

    YOUNG SUCCESSFUL MUSIC GROUP [ Y.S.M.G ] Twitter - @Qway_C Facebook - Qway-C WWW.YSMGBOOKINGS@GMAIL.COM ( For Bookings ) WWW.SOUNDCLOUD.COM/YSMG204 WWW.YSMGWORLDWIDE.CA Producer: TrackOfficialz Video : Sameer M. / Julez M.

    published: 17 Aug 2015
  • Tomás de Torrejón y Velasco - La púrpura de la rosa (excerpt)

    Strophic dialogue: Y bien, ¿qué es lo qe adviertes? Chorus: Corred, corred, cristales

    published: 30 Dec 2015
developed with YouTube
Trip-Hop- Thievery Corporation - Until The Morning
3:59

Trip-Hop- Thievery Corporation - Until The Morning

  • Order:
  • Duration: 3:59
  • Updated: 14 Jul 2012
  • views: 4246
videos
I keep on fear, keep on loathing Nothing brings it on I keep on falling Decide what it is I can not find It subsides what you make it Never feel like you're gonna break, ye It's gonna be alright alright Sleep until the morning comes The sun will warm your soul Sleep until the morning comes for you Til the morning it's alright I can walk into the sunlight, into the day, into the day, to the day I feel it falling, nothing comes to my mind Bring it on in a different tide I feel alright, alright I feel strong, i feel rigid It's nothing to do with the vision Oh feels so right, so right Sleep on tight, sleep on tight Sleep until the sunlight Sleep until sunlight Sleep on tight Sleep on tight Sleep on tight Sleep on tight, til the sunlight Sleep on tight, til the sunlight burns you happy Til the sunlight burns you happy, till the sunlight burns a happy hole in Your heart, In your heart In your heart... Trip-Hop Music- Thievery Corporation - Until The Morning Trip-Hop Music- Thievery Corporation - Until The Morning Trip-Hop Music- Thievery Corporation - Until The Morning
https://wn.com/Trip_Hop_Thievery_Corporation_Until_The_Morning
Basso Ostinato demo
1:03

Basso Ostinato demo

  • Order:
  • Duration: 1:03
  • Updated: 23 Aug 2017
  • views: 299
videos
Early music performance "BASSO OSTINATO " An interactive early music project based on basso ostinato. Mystery, surprise, unexpectedness, a little shock, and all of that under the familiar clichés from old mafia films - these are the main ingredients of the performance, where the spectator becomes not only an observer but also a participant in the play. Director: Adrian Schvarzstein (Spain/Argentina) Music Director: Rūta Vosyliūtė (Lithuania) Choreographer: Jūratė Širvytė-Rukštelė (Lithuania) Soloists: Nerijus Masevičius (basso, Lithuania), Rūta Vosyliūtė (soprano, Lithuania) Music: Alina Rotaru (Cembalo, Germany / Romania), Darius Stabinskas (cello, Lithuania), Ieva Baublytė (recorder, gothic harp, Lithuania), Raimonds Melderis (violin , Latvia), Fernando Olivas (baroque guitar, theorba, Germany / Mexico) Actors: Adrian Schvarzstein (Spain/Argentina), Jūratė Širvytė-Rukštelė (Lithuania) Costume designer: Daiva Petrulytė (Lithuania) Lights designer: Audrius Jankauskas (Lithuania) Scenographer: Marius Puskunigis (Lithuania) © Senųjų menų studija Lithuanian Culture Council, Ministry of Culture of Lithuania, Department of Cultural Heritage
https://wn.com/Basso_Ostinato_Demo
Bejun Mehta: The complete "3 Shakespeare songs Op. 6" (Quilter)
6:57

Bejun Mehta: The complete "3 Shakespeare songs Op. 6" (Quilter)

  • Order:
  • Duration: 6:57
  • Updated: 30 Aug 2014
  • views: 5786
videos
3 Shakespeare songs (Op. 6): I. Come away, death 00:00 II. O mistress mine 02:53 III. Blow, blow, thou winter wind 04:24 Quilter, Roger (1877-1953) -composer Bejun Mehta -countertenor Julius Drake -piano Playlist: "The art of British song: Elgar, Somervell, Williams, Finzi..": https://www.youtube.com/playlist?action_edit=1&list=PLdM8VSWYvcWG_X-lGBATHMoJTGPlAV1TQ Score: http://burrito.whatbox.ca:15263/imglnks/usimg/4/4c/IMSLP218532-SIBLEY1802.20489.bda5-39087013698479score.pdf Roger Quilter's first group of songs setting texts of Shakespeare, from 1905, was so successful that the composer was often (and with similiar success) to return to the Bard's work. Quilter was, of course, only one of the legion of composers who found inspiration in Shakespeare, but his sensitive, artistic settings are a breed apart. The three songs of Op. 6 are among the best of English art songs from the early twentieth century. The first song, "Come away, Death," from Twelfth Night, achieves a state of melancholy but avoids depression, which is appropriate for its context in the play. Quilter uses melodic sequence and repetition in creating a highly singable melodic line. As often occurs in Quilter's songs, the second verse is varied in the accompaniment rather than the melody, and the piano wreathes arpeggiated triplets around the melodic line. "O Mistress mine," also from Twelfth Night, is a charmingly persuasive air notable for its consistently disjunct melodic line. Yet in Quilter's hands the intervals always make vocal sense. The accompaniment and vocal line coexist flirtatiously, echoing the ambiguous relationship of the singer and his intended: sometimes meeting up, and sometimes going separate ways. The final song, "Blow, blow, thou Winter Wind," is a fitting end to the set, combining elements of the previous two songs. The text, from As You Like It, combines a bitter verse with a less pessimistic refrain. Quilter sets the verse in minor and the refrain in the parallel major, resulting in an infusion of optimism. Two different time signatures also enhance the difference between the two sections, one funereal and one dancelike. The accompaniment, notably, is identical between the two stanzas. Each of the three songs, like so many of Quilter's others, are in a modified strophic form, with a single repetition. As a unit, they coexist remarkably well, for example in their tonal structure: the minor of the first gives way to its relative major in the second, and then returns to the minor for the third. Quilter orchestrated the three songs as well, for piano and strings, but much later, near the conclusion of his compositional career, in 1944 and 1945. Source: http://www.allmusic.com/composition/shakespeare-songs-3-for-voice-piano-or-orchestra-op-6-mc0002367727 Buy the CD here: http://www.amazon.com/Down-Salley-Gardens-Bejun-Mehta/dp/B00585QLZK/ref=sr_1_2?ie=UTF8&qid=1409409395&sr=8-2&keywords=bejun+mehta
https://wn.com/Bejun_Mehta_The_Complete_3_Shakespeare_Songs_Op._6_(Quilter)
Agenda 21, The Plan To Kill You -  David Icke
1:36:32

Agenda 21, The Plan To Kill You - David Icke

  • Order:
  • Duration: 1:36:32
  • Updated: 14 Aug 2016
  • views: 2593772
videos
World Tour Tickets - http://www.TheWorldWideWakeUp.com 2016/17 Agenda 21 or Agenda 2030 The Plan To Kill You - David Icke - The United Nations Depopulation Plan The global cabal of U.N. Agenda 21 is behind global warming, regionalism, zoning, land and water use control, wealth redistribution, weakening and eventual replacement of the dollar as the world’s reserve currency, global warming, cap and trade, Smart Grid, Smart Meters, carbon taxes, high gasoline prices, global citizens, IB World Schools, Common Core nationalized education standards, biofuels, Marxist advancement across the globe, food control, water access control via the Law of the Sea Treaty (LOST), gun control, health control, the Arab Spring/Winter, unchecked illegal immigration, and they are unstoppable.’ All David's Books Now Available Here http://www.DavidIckeStore.com Social Media https://www.facebook.com/davidicke/ https://twitter.com/davidicke To have David's Videocast sent to you in full every week, Click here http://www.davidicke.com/register http://www.DavidIckeStore.com All David's Books Now Available Here http://www.TheWorldWideWakeUp.com 2016/17 World Tour Tickets http://www.DavidIcke.com/headlines Latest News From David Icke http://www.UnreportedTruth.com - Videos, Articles and Social Media For The People By The People http://www.RichieAllen.co.uk - Europe's Number One Independent Radio Show Music - http://freemusicarchive.org/music/Kai_Engel/ICD-10/Kai_Engel_-_ICD-10_-_06_Oneiri
https://wn.com/Agenda_21,_The_Plan_To_Kill_You_David_Icke
Parov Stelar - For All We Know [Ryou DJ Mix tracklist 23]
4:22

Parov Stelar - For All We Know [Ryou DJ Mix tracklist 23]

  • Order:
  • Duration: 4:22
  • Updated: 04 Apr 2013
  • views: 9669
videos
Album: Parov Stelar ‎- Rough Cuts Etage Noir Recordings 2004 http://www.facebook.com/parovstelar Ryou: ♫Mixcloud: http://www.mixcloud.com/Ryou ♫Facebook: http://www.facebook.com/ryoukr http://www.facebook.com/xRyoux Photo: http://www.facebook.com/ohnoradeo http://www.facebook.com/radeosuicidegrils
https://wn.com/Parov_Stelar_For_All_We_Know_Ryou_Dj_Mix_Tracklist_23
TOP 100 OPM TAGALOG LOVE SONG OPM NON STOP PART 02 - OPM New Songs 2017
1:57:02

TOP 100 OPM TAGALOG LOVE SONG OPM NON STOP PART 02 - OPM New Songs 2017

  • Order:
  • Duration: 1:57:02
  • Updated: 18 Jul 2017
  • views: 192055
videos
TOP 100 OPM TAGALOG LOVE SONG OPM NON STOP PART 02 - OPM New Songs 2017 Subscribe for more: goo.gl/TKbw5g Page Facebook : https://www.facebook.com/Love-Music-458471444337909/ Tweet : https://twitter.com/HoabinhI ► Invite you to watch : ✔OPM Songs : https://www.youtube.com/watch?v=a4nqWE1txIw ►Thank you for watching the video do not forget to Like , Comment , Share and Subscribe to My Channel
https://wn.com/Top_100_Opm_Tagalog_Love_Song_Opm_Non_Stop_Part_02_Opm_New_Songs_2017
"Ala fi Sabil Allah" by Sheikh Sayed El-Safti (Middle Eastern music)
3:25

"Ala fi Sabil Allah" by Sheikh Sayed El-Safti (Middle Eastern music)

  • Order:
  • Duration: 3:25
  • Updated: 21 Aug 2013
  • views: 528
videos
The renowned singer Sheikh Sayed El-Safti* (1875-1939) apparently began recording as early as 1907, possibly for the German independent Favourite label at first. Around ca. 1913 he recorded at least 2 dozen records for the Odeon company. He also recorded for Pathé ca. 1926, Polyphon, Columbia, and the Lebanese independent label Baidaphon in the late 1920s. His last recordings appear to have been ca. 1931. El-Safti specialized in several song types: the mawwal, a non-metric vocal improvisation on 4-7 lines of colloquial text, the dawr, a song type from the 19th century noted for the choral responses that occur in response to the soloist's improvisation in its second part (the ghusn), and the muwashah, a strophic song type in classical Arabic which originated in Al-Andalus. (These are simplistic definitions for what is a deep and detailed school of music, but I offer them to illustrate El-Safti's virtuosity.) This piece, however, is a qasida - a classical Arabic poem. It's English translation is "In the Path of God." El-Safti is accompanied here by a small ensemble of violin, kanun, and ney. As to when it was recorded, it's difficult to say. It was released on the German Parlophon label, which may (or may not) indicate that it was originally released on another German label (Baidaphon, Beka -- perhaps even Odeon or Favourite). Therefore it truly could have been recorded anytime between ca. 1907 and ca. 1925 -- a fascinating time in terms of recorded music in the Middle East. Technical Notes Label: Parlophone Issue Number: Bx 5708-I Matrix Number: 1344
https://wn.com/Ala_Fi_Sabil_Allah_By_Sheikh_Sayed_El_Safti_(Middle_Eastern_Music)
Hector Berlioz- Harold en Italie [With score]
44:29

Hector Berlioz- Harold en Italie [With score]

  • Order:
  • Duration: 44:29
  • Updated: 25 Mar 2017
  • views: 11795
videos
Composer: Hector Berlioz (11 December 1803 - 8 March 1869) Orchestra: Philharmonia Orchestra Conductor: Sir Colin Davis Viola: Yehudi Menuhin Year of recording: 1962 Harold en Italie [Harold in Italy], Symphonie en quatre parties avec un alto principal [Symphony in Four Parts with Viola Obbligato], Op. 16, written in 1834 00:00 - I. Harold aux montagnes, Scènes de mélancolie, de bonheur et de joie [Harold in the mountains. Scenes of melancholy, happiness and joy] 16:32 - II. Marche de pélerins chantant la prière du soir [Procession of pilgrims singing the evening hymn] 25:36 - III. Sérénade d’un montagnard des Abruzzes à sa maîtresse [Serenade of an Abruzzi-mountaineer to his sweetheart] 32:11 - IV. Orgie de brigands. Souvenirs des scènes précédentes [The brigand’s orgies. Reminiscences of the preceding scenes] Though the work was originally intended as a vehicle for the virtuoso violinist Nicolo Paganini to exhibit his considerable skill on the viola, Berlioz's Harold in Italy (1834) eventually became a four-movement symphony which Paganini, who wanted to be "playing all the time," eventually declined to perform. Somewhat akin to the Symphonie fantastique (1830) in its quasi-autobiographical cast and employment of a unifying idée fixe, Harold finds Berlioz imagining himself in the role of Byron's Harold for the purpose of recounting his own experiences in Italy. The first movement, entitled "Harold in the Mountains," outlines a progression from melancholy into happiness and ultimately, into joy. The sobering fugato which opens the movement soon gives way to an uncertain melody in the woodwinds, which blossoms until the viola presents it in full as Harold's theme, the idée fixe. The movement continues its ascent into joy with an effervescent, unrelenting allegro which eases up only to allow the viola to restate the idée fixe, now fitted into another fugato, before the accelerating momentum brings the movement to an end. Like Mendelssohn, Berlioz made the second movement of his "Italian" symphony a "Pilgrim's March." Essentially restricted to a strophic march structure, the movement is notable for its daring modulations, each marked by the tolling of two bells. The viola enters again in the middle section, lyrically presenting the idée fixe in the periphery of the passing march before taking on an accompanying role as the procession moves off into the distance. The third movement, "Serenade of an Abruzzi Mountaineer," begins with an accurate replication of Italian bagpipes, or piferari. The rustic affect is made complete with the introduction of the serenade's main melody by the English horn. The viola restates the melody in conjunction with the idée fixe, and the movement develops as Berlioz expounds upon the counterpoint between the two melodies. A somewhat resigned coda, comprising all three elements, ends the movement on a misleadingly peaceful tone. "The Orgy of Brigands," as the finale is titled, opens with the viola revisiting several thematic ideas from prior movements before it is unceremoniously interrupted by the brash, rhythmic power of the orgy itself. Following this brass-fueled, slightly demented fury, the viola briefly returns with the "Pilgrim's March" and a final statement of Harold's theme as the composer's nostalgic reminiscence comes to a close. [allmusic.com] Original Audio: https://www.youtube.com/watch?v=CWzyz0nnak0
https://wn.com/Hector_Berlioz_Harold_En_Italie_With_Score
Just intonation in the Renaissance
14:11

Just intonation in the Renaissance

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  • Duration: 14:11
  • Updated: 06 Oct 2016
  • views: 35759
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For the footnotes and other extra information see the following link: http://tinyurl.com/hncqzcv http://www.earlymusicsources.com/home/more/youtube/justintonation Created by Elam Rotem, Oren Kirschenbaum and Johannes Keller http://www.earlymusicsources.com Audio, video and animations by Mel et Lac (http://www.meletlac.com) The sound samples were made using a special program developed by Johannes Keller (http://www.projektstudio31.com)
https://wn.com/Just_Intonation_In_The_Renaissance
L'Euridice by Giulio Caccini
4:02

L'Euridice by Giulio Caccini

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  • Duration: 4:02
  • Updated: 23 Aug 2013
  • views: 2164
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Innsbrucker Festwochen der Alten Musik 2013 Euridice, Tragedia Silvia Frigato (soprano) Orfeo Furio Zanasi (baritone) Dafne, Proserpina Sara Mingardo (alto) Venere Monica Piccinini (soprano) Arcetro Giampaolo Fagotto (tenor) Plutone Antonio Abete (bass) Aminta, Tirsi Luca Dordolo (tenor) Caronte Mauro Borgioni (baritone) Radamanto Matteo Bellotto (bass) Choir and instrumental ensemble Concerto Italiano Musical director and harpsichord Rinaldo Alessandrini Stage director and costumes Hinrich Horstkotte Stage design Nicolas Bovey Composta in Musica in Stile Rappresentativo by Giulio Caccini (1551--1618) Libretto by Ottavio Rinuccini Thirst printed version: 1600 Premiere: 1602, Florence In an attempt to revive classical Greek tragedy, the opera genre came into being around 1600 in the Florentine Camerata. Some of the recitative singing in Caccini's "L'Euridice", the first opera ever to be printed, merged into early little arias. The then common practice of polyphonic madrigals continued in scenes with strophic choruses. The pioneering work will be brought to life by Rinaldo Alessandrini and his Concerto Italiano in Innsbruck.
https://wn.com/L'Euridice_By_Giulio_Caccini
Sad, but Beautiful Music
1:45

Sad, but Beautiful Music

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  • Duration: 1:45
  • Updated: 28 Aug 2013
  • views: 423
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A sad, but very heart touching music! Subscribe: youtube.com/user/610fatima New Video every Friday, so check out! Read my blog: http://sadmusic1.blogspot.ca/2013/08/hello-everyone-this-is-just-very-quick.html Ending by: dreamscence.org
https://wn.com/Sad,_But_Beautiful_Music
Kiri Te Kanawa: The complete "Les nuits d'été H. 81" (Berlioz)
29:29

Kiri Te Kanawa: The complete "Les nuits d'été H. 81" (Berlioz)

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  • Duration: 29:29
  • Updated: 29 Mar 2014
  • views: 24332
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Les nuits d'été (H. 81): I. Villanelle 00:00 II. Le spectre de la rose 02:09 III. Sur les lagunes 08:41 IV. Absence 14:43 V. Au cimitière 20:21 VI. L'île inconnue 25:51 Berlioz, Hector (1803-69) -composer Kiri Te Kanawa -soprano Daniel Barenboim -conductor Orchestre de Paris Scores: I. http://sausage.whatbox.ca:15263/imglnks/usimg/4/4f/IMSLP55645-PMLP56273-Berlioz_-_Nuits_d___t____Op._7_-_I._Villanelle__orch._score_.pdf II. http://sausage.whatbox.ca:15263/imglnks/usimg/5/5e/IMSLP55646-PMLP56273-Berlioz_-_Nuits_d___t____Op._7_-_II._Le_Spectre_de_la_Rose__orch._score_.pdf III. http://conquest.imslp.info/files/imglnks/usimg/c/c7/IMSLP55647-PMLP56273-Berlioz_-_Nuits_d___t____Op._7_-_III._Sur_les_Lagunes__orch._score_.pdf IV. http://sausage.whatbox.ca:15263/imglnks/usimg/0/05/IMSLP55648-PMLP56273-Berlioz_-_Nuits_d___t____Op._7_-_IV._Absence__orch._score_.pdf V. http://javanese.imslp.info/files/imglnks/usimg/1/15/IMSLP55649-PMLP56273-Berlioz_-_Nuits_d___t____Op._7_-_V._Au_Cimeti__re__orch._score_.pdf VI. http://conquest.imslp.info/files/imglnks/usimg/8/81/IMSLP55650-PMLP56273-Berlioz_-_Nuits_d___t____Op._7_-_VI._L_Ile_inconnue__orch._score_.pdf Playlist "The art of French song: Faure, Debussy, Ravel, Poulenc, Satie...": http://www.youtube.com/playlist?list=PLdM8VSWYvcWGecjk_VR0LNMYlVs05efWQ This is a cycle of six settings of poems written by Théophile Gautier. Though their subjects have little direct connection, each possesses the sultry, scented charm implied by Berlioz's title. The songs were composed in 1832 and published in 1841. Except for "Absence," which was orchestrated in 1843, the orchestral versions of the remaining songs were completed in 1856. Aside from their immediate appeal, they suggest that, before the rise of a new school of composers such as Fauré, Duparc, Debussy, and Ravel, Berlioz was reacting to a demand for songs of a distinctively French character, compared with the then-widely popular German lied. However, the American musicologist Alfred Einstein's assertion that Berlioz "sowed the seeds for the entire musical lyricism of the nineteenth century in the French language" is surely an exaggeration: he was too much an admirer of German music to do such a thing. Indeed, the first song "Villanelle" is almost strophic, only the third stanza showing any real harmonic or melodic changes in the vocal line, a device which makes it reminiscent of Schubert. Singers tend to pick and choose among the songs performed but, since all easily stand on their own merits, this does not matter a great deal. "Absence," a call for the return of the beloved, would, for example, make an impressive opening to the cycle. "Le spectre de la rose" (I am the ghost of the rose you wore at the ball) is operatic in character and avoids the obvious waltz rhythms used in the ballet music that was also inspired by this poem. "Sur la lagunes," a lament for a dead lover, was also set by Fauré under the title Chanson de pêcheur. Berlioz makes it into a barcarolle, with a flowing accompaniment and echoes of Spain and Italy. "Au cimetiere" (the churchyard where the beloved lies) is a lament, with the added dimension of modern-sounding semitone changes and enharmonic modulations - evidence of Berlioz's constant search for ways to distance himself from conventional tonality. The final song, "L'ile inconnue," a light serenade, (where will you go, fair one in my magic boat) is - apart from one rather awkward cadence just before the lady replies - similarly progressive in its tonality. The tenderly expressive qualities of these settings makes one wish that Berlioz had continued his dedication to French poetry. Source: http://www.allmusic.com/composition/les-nuits-d%C3%A9t%C3%A9-song-cycle-for-voice-piano-or-orchestra-h-81-op-7-mc0002360887 Buy the CD here: http://www.deccaclassics.com/en/cat/4109662
https://wn.com/Kiri_Te_Kanawa_The_Complete_Les_Nuits_D'Été_H._81_(Berlioz)
Giovanni Gastoldi - Balletti per Cantare, Sonare e Ballare (1591)
38:44

Giovanni Gastoldi - Balletti per Cantare, Sonare e Ballare (1591)

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  • Duration: 38:44
  • Updated: 04 Jan 2016
  • views: 13387
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Giovanni Giacomo Gastoldi (ca. 1554 – 4 January 1609), was an Italian composer of the late Renaissance and early Baroque periods. He is known for his 1591 publication of balletti for five voices. Balletti (1591) 1. L'Innamorato 2. Introduittione a 1 Balletti (1:23) 3. Il bell'humore (3:07) 4. L'Acceso (7:28) 5. Concerto de Pastori a 8 (12:32) 6. Il contento (15:01) 7. Amor vittorioso (17:37) 8. Il Piacere (20:38) 9. La Bellezza (22:58) 10. L'Ardito (27:45) 11. Gloria d'Amore (31:14) 12. Speme Amorosa (34:53) Ensemble Musique Ancienne de Lyon Instrumentations et Direction musicale: François Castet Ensemble Vocal de Lyon Direction: Guy Cornut His two sets of balletti, a strophic vocal dance, however, are the most prominent and influential. These were written for five voices, and contained passages of nonsense syllables (e.g. "fa la la") which seemed to personify a type of lover and love-making. As a whole, Gastoldi's balletti were a musical commedia dell'arte, and included the following compositions: Contento (The Lucky One), Premiato (The Winner), L'Inamorato (The Suitor), Piacere (Pleasure), La Bellezza (Beauty), Gloria d'Amore (Praise of Love), L'Acceso (The Ardent), Caccia d'Amore (Love-Chase), Il Martellato (The Disdained), Il Bell’humore (The Good Fellow), Amor Vittorioso (Love Victorious), and Speme Amorosa (Amorous Hope). His balleti music basically had a simple chordal texture, fast declamation and rhythmic accents at the expense of contrapuntal display, as is to be expected from their close relationship to dance music. Gastoldi's Balleti a Cinque Voci was published in Venice in 1591, and immediately became a "best seller." Within a short time, the collection was reprinted ten times, not only by their original publisher but also in other countries as well. Composers like Vecchi, Banchieri, Hassler, and Morley were greatly captivated by this musical creation (compare Morley's ballett Now is the Month of Maying for a clear example of Gastoldi's influence). It is certain that many frottole, villancicos, and chansons francaises were intimately related to dance, but it seems true that Gastoldi was the first scholarly author, presumably since the thirteenth century, to compose songs for dancing which were modeled on instrumental patterns, and were perfectly apt for instrumental performance alone. The title page of the balletti bestows the title "Maestro di Cappella del Serenissimo Signor Duca di Mantova" to Gastoldi. However, this has no slightest intention of masking sophistication behind the spontaneous naivete of Gastoldi's works, because the entire content is a collection of simplicty, healthy playfulness, communicative carefreeness, and gaiety. The common trait is, of course, the Fa-la refrain, (which incidentally became "lirum-lirum "in Gloria d’amore) with skipping rhythms, clear lines, and frank tonality. Gastoldi sought to vary his compositions from ballet to ballet by sometimes writing in triple time, in double or by the alternate use of major and minor. Otherwise, it cannot be said that he at all attempted a psychological differentiation between the several "characters" depicted.
https://wn.com/Giovanni_Gastoldi_Balletti_Per_Cantare,_Sonare_E_Ballare_(1591)
FRANCISCA CACCINI, 'Ciaccona' (Il primo libro delle Musiche')
4:36

FRANCISCA CACCINI, 'Ciaccona' (Il primo libro delle Musiche')

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  • Duration: 4:36
  • Updated: 28 Feb 2015
  • views: 9707
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- FRANCESCA CACCINI (18 September 1587 † after 1641) http://en.wikipedia.org/wiki/Francesca_Cacciniwas SECULAR SONGS FRANCESCA CACCINI, Italian Composer, Singer, Lutenist, Poet, and Music Teacher of the early Baroque era, was also known by the nickname "La Cecchina", originally given to her by the Florentines and probably a diminutive of "Francesca". She was the daughter of Giulio Caccini, and was one of the best-known and most influential female European composers between Hildegard of Bingen in the 12th century and the 19th century. Her stage work, 'La liberazione di Ruggiero', has been widely considered the first Opera by a woman composer. Francesca, who assumed an important role in the seventeenth century as a Voice Teacher in the Medici Court, also developed a compendium of contemporary styles, ranging from intensely moving, harmonically adventurous laments to joyful sacred songs in Italian and Latin, to witty strophic songs about the joys and perils of romantic Love; 'Il primo libro delle musiche', a collection of thirty-six solo songs and 'Soprano-bass' Duets, as a pedagogic material for singers published in 1618 and dedicated to her patron the Cardinal de' Medici (1596 † 1666). Very little of her music survives. Most of her stage music was composed for performance in comedies by Poet Michelangelo Buonarroti The Younger (grand-nephew of the artist) such as 'La Tancia' (1613), 'Il passatempo' (1614) and 'La Fiera' (1619). She is believed to have been a quick and prolific Composer, equal in productivity to her court colleagues Jacopo Peri and Marco da Gagliano. 'Il Primo Libro Delle Musiche', 1618 'The Secular Monodies' Instrumental Piece: «CIACCONA» The Pieces are titled variously Sonetto, Madrigale, Aria, Canzonatta, Psalme, Motetto, Hinno. A large number of these are based on the Romanesca ground bass. COURT OPERAS & DRAMATIC WORKS Francesca Caccini (1587 † after 1641) FIRENZE: : La fiera (5 intermedi, Buonarroti), Florence, Palazzo Pitti, 11 Feb 1619) Giovanni Battista da Gagliano (1594-1651) & Francesca Caccini (1587-1637): Il martirio di S Agata (J. Cicognini), Florence, Compagnia di S Giorgio in Costa, 23 Jan 1622, [roles of S Agata and Eternità and minor women’s parts by Caccini] : Il ballo delle Zingane (balletto, F. Saracinelli), Florence, Palazzo Pitti, 24 Feb 1615 : La liberazione di Ruggiero dall’isola d’Alcina (prol., 4 scenes, Saracinelli, after L. Ariosto), Florence, Villa Poggio Imperiale, 3 Feb 1625 (Florence, 1625), ed. D. Silbert, SCMA, vii (1945) : Rinaldo innamorato (?commissioned 1626, MS, formerly owned by G. Baini, lost) : S Sigismondo (?commissioned 1626) [: 'Il Primo Libro Delle Musiche', 1618, 'The Secular Monodies'] PISA: : La stiava (Pisa, 1607, Lib. Buonarroti II) -
https://wn.com/Francisca_Caccini,_'Ciaccona'_(Il_Primo_Libro_Delle_Musiche')
TripHop Techno Mania
6:58

TripHop Techno Mania

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  • Duration: 6:58
  • Updated: 20 Jul 2014
  • views: 61
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Techno Music Productions AKA IceWizardy 949 Orange County,CA Beat Productions studio Hit me for $20 dollar exclusives or $5 single customized productions. You know what it is, hit up yo boy and subscr
https://wn.com/Triphop_Techno_Mania
Gs feat Shu Ga Сердце Prod by Gs
2:59

Gs feat Shu Ga Сердце Prod by Gs

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  • Duration: 2:59
  • Updated: 10 Jun 2009
  • views: 1623
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собственно первая работа в стиле трип-хоп)) Большое спасибо оператору Толику http://vkontakte.ru/id7247322 Монтажеру Саше Пивоварову и естесвенно GS'у
https://wn.com/Gs_Feat_Shu_Ga_Сердце_Prod_By_Gs
Bandies - Gopher Treble (Ep #1)
3:10

Bandies - Gopher Treble (Ep #1)

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  • Duration: 3:10
  • Updated: 14 Feb 2016
  • views: 11484
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Supernatural monsters are popping up all over town and the only ones that can stop them are The Bandies! Created and Written by: Sung Suh Animation Services, Voice, Post & Sound by www.littleblackstone.ca
https://wn.com/Bandies_Gopher_Treble_(Ep_1)
There's No Heroes-Blood Will Have Blood
3:41

There's No Heroes-Blood Will Have Blood

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  • Duration: 3:41
  • Updated: 19 Sep 2009
  • views: 4332
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Live At The Green Turtle in Whittier, CA. If some of you never heard these guys before, please check them out and support them. www.myspace.com/theresnoheroes
https://wn.com/There's_No_Heroes_Blood_Will_Have_Blood
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 1. The Mourning of Eurydice (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
10:19

Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 1. The Mourning of Eurydice (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)

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  • Duration: 10:19
  • Updated: 10 Jan 2009
  • views: 128861
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Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in his reform of the operatic form, owes much to the genre of French opera, particularly in its' extensive use of accompanied recitative and a general absence of vocal virtuosity. In fact, it is generally supposed that Gluck frankly took Rameau's "Castor et Pollux" as his model when he sat down to compose "Orfeo": indeed, the plot of the earlier work has much in common with that of "Orfeo". Therefore, it seems quite fitting that twelve years after the 1762 premiere of the original work, in 1774, Gluck presented his work to the Parisian public, readapting it, in the process. This reworking was given the title "Orphee et Eurydice" which is the version of this ever well-known piece that I want to present in this series of uploads. The changes, though seemingly insignificant, are actually essential to the work's inner equilibrium. First off, the libretto is given a French translation which does shift some of the accents. Next, and more importantly, the work is greatly expanded, including the addition of a bravura, coloratura-filled aria for Orfeo at the close of Act 1, a more elaborate dance of the blessed spirits and an aria for Eurydice during the Elysium scene; the transformation of the B section of Eurydice's second aria into an intense duettino for the lovers; a penultimate terzet for all three characters and a large ballet for the end of the opera; thus, the work's original omissions are amended with the structure of the piece becoming more logical in the process. Thirdly, the orchestration is changed somewhat: for example, originally each verse of the strophic "Chiamo il mio ben cosi" is accompanied by different solo instruments - flute, horns and English horns - but in 1774 Gluck was required to change this orchestration to that of a single horn and two clarinets. Finally, and even more importantly, the transformation of the originally castrato-voiced Orfeo into the high tenor Orphee, including a more passionate reading than the original. As if that wasn't enough, the present recording, rather controversially, sets the pitch at A=403, a full tone below current pitch, which leads to a further transformation of the work which is especially evident in the baritonal lower notes that the tenor has to approach. All in all, a much different version from the original, and this is where its' interest lies. There are only three versions of this particular version, one - under Hans Rosbaud with Leopold Simoneau in the title role; a more recent one - the Naxos release with Jean-Paul Fouchecourt; and the one that I am going to use in this case (as it is my only recording of the tenor version of "Orfeo") - Minkowski's 2004 live recording of the work with the following cast: Richard Croft - Orphee, Mireille Delunsch - Eurydice, Marion Harousseau - L'Amour, Claire Delgado-Boge - Une ombre heureuse. As per usual, I had to cut some of the music to keep each upload (all in all, ten full postings) under eleven minutes, though I tried to keep these cuts to a minimum: the repeat of the opening chorus and (though I could upload it separately) the ballet sequence which brings the opera its' closure; all the rest of the music is retained. Finally, here is a link to the complete libretto: http://opera.stanford.edu/iu/libretti/orphee.html Hope you'll enjoy :). No. 1. Sinfonia. Berlioz, when creating his own version of the score, went so far as to describe the overture to "Orfeo" as "an unbelievable trifle" ("une niaiserie incroyable") and, truth be told, it seems ironic that the firstborn of Gluck's reform begins with a piece which, though by turns lively, exciting and life-affirming, does not really go that well with the work as a whole. There are, though, more somber sections that come as a hint to the tragedy that is about to unfold but they quickly give way to the strings' unfailingly thunderous melody. No. 2. Chorus, Dance & Ritournelle - "Ah! dans ce bois tranquille et sombre". The opening scene shows the tomb of Eurydice erected in a grassy valley - a justly famous coup-de-theatre - though this choice comes at the expense of a rather small part for Eurydice and the love of the pair underrepresented from the beginning (even Monteverdi's "Orfeo", where there is, arguably, an even larger part for Orfeo and an even smaller part for Eurydice, gives us an opportunity to see the lovers' symbolic wedding)). Orpheus stands beside it plunged in the deepest grief, while a troop of shepherds and maidens bring flowers to adorn it. The singer's despairing cry of "Eurydice" breaks passionately upon their mournful chorus, and the whole scene, though drawn in simple lines, is instinct with genuine pathos. After a pantomime of Eurydice's death, the chorus slowly leaves over the same melody which is placed strategically to close the scene and to set up Orpheus' first great lament. And again, hope you'll enjoy :).
https://wn.com/Christoph_Willibald_Gluck_Orphee_Et_Eurydice_(1774_Tenor_Version_In_French)_No._1._The_Mourning_Of_Eurydice_(Richard_Croft,_Mireille_Delunsch,_Marion_Harousseau_Claire_Delgado_Boge_Marc_Minkowski)
Enemiga le soy madre (Cancionero de Palacio)
0:59

Enemiga le soy madre (Cancionero de Palacio)

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  • Duration: 0:59
  • Updated: 22 May 2010
  • views: 3673
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Cancionero de Palacio "Enemiga le soy madre" Juan de Espinosa Enemiga le soy, madre, a aquel cavallero yo. ¡mal enemiga le soy! En mí contempla y adora como a Dios que l'es testigo. Él me tiene por señora, yo a él por enemigo. Dos mil vezes le maldigo por lo cual no mereçío. ¡Mal enemiga le soy! The early-16th-century manuscript Cancionero de Palacio is a true musical treasure trove: it contains some 450 songs from the Madrid court, dating from the 15th and early 16th century. Most of these were composed by Juan del Encina (1468-1530), even though he was not officially related to the court. Most pieces in the Cancionero belong to the villancico genre, a folksy refrain song that could take its subject matter from almost every aspect of life, among which love or the lack thereof obviously take first position. Also included are romances, longer strophic songs of a more serious character, like Ques de ti desconsolado, singing of the fall of Granada. Performers: Ensemble Gilles Binchois
https://wn.com/Enemiga_Le_Soy_Madre_(Cancionero_De_Palacio)
Stable of Doom – Spooky Sights (Ep #2)
2:26

Stable of Doom – Spooky Sights (Ep #2)

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  • Duration: 2:26
  • Updated: 29 Oct 2015
  • views: 24540
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What other terrifying creations exist in this horrible house? Created by Nick Lyons Animation Services, Post & Sound by http://www.littleblackstone.ca/ Follow #SpindoTV on Instgram! http://instagram.com/spindotv
https://wn.com/Stable_Of_Doom_–_Spooky_Sights_(Ep_2)
Casting - "Love the Skin You're In" Un Evenement de Mode Taille Forte - A Plus Size Fashion Event
2:05

Casting - "Love the Skin You're In" Un Evenement de Mode Taille Forte - A Plus Size Fashion Event

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  • Duration: 2:05
  • Updated: 17 Mar 2014
  • views: 543
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On February 16 2014, P.S. Montreal and Cath.A.Strophic Productions held a model casting for the upcoming "Love the Skin You're In" Fashion show, to be held on April 26th 2014. Video by My 11.11 Productions (http://vimeo.com/user9827590 and https://www.facebook.com/pages/My-1111-Productions/121926871224698) Event details: https://www.facebook.com/events/1407674952822464/ Event tickets: http://www.clubsoda.ca/en/spec-love_the_skin_youre_in-1094.php Special thank you to our judging panel and volunteers: Cath.A.Strophic Productions, Yael Perez / Miss Meow - Model and Entertainer, Andrea Hausmann Photography, Sonia Levesque Design, Evanescent Twin, The Models' Coach - Naïad International, Sylvain Bergeron, Mitzi Perez and Adam Geraldi Filmed at Shift Space (http://www.shiftspace.ca/) ***** Le 16 Février 2014, P.S. Montréal et Cath.A.Strophic Productions ont tenu une casting de modèle pour la prochaine défilé de mode, "Love the Skin You're In" qui se tiendra le 26 Avril 2014. Vidéo par My 11.11 Productions (http://vimeo.com/user9827590 et https://www.facebook.com/pages/My-1111-Productions/121926871224698) Détails d'événement: https://www.facebook.com/events/1407674952822464/ Billets d'événement: http://www.clubsoda.ca/en/spec-love_the_skin_youre_in-1094.php Merci spécial à notre panel de juges: Cath.A.Strophic Productions, Yael Perez / Miss Meow - Model and Entertainer, Andrea Hausmann Photography, Sonia Levesque Design, Evanescent Twin, The Models' Coach - Naïad International, Sylvain Bergeron, Mitzi Perez and Adam Geraldi Filmé au Shift Space (http://www.shiftspace.ca/)
https://wn.com/Casting_Love_The_Skin_You're_In_Un_Evenement_De_Mode_Taille_Forte_A_Plus_Size_Fashion_Event
Qway-C  - Take That Picture (OFFICIAL VIDEO) YSMG
3:13

Qway-C - Take That Picture (OFFICIAL VIDEO) YSMG

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  • Duration: 3:13
  • Updated: 17 Aug 2015
  • views: 6757
videos
YOUNG SUCCESSFUL MUSIC GROUP [ Y.S.M.G ] Twitter - @Qway_C Facebook - Qway-C WWW.YSMGBOOKINGS@GMAIL.COM ( For Bookings ) WWW.SOUNDCLOUD.COM/YSMG204 WWW.YSMGWORLDWIDE.CA Producer: TrackOfficialz Video : Sameer M. / Julez M.
https://wn.com/Qway_C_Take_That_Picture_(Official_Video)_Ysmg
Tomás de Torrejón y Velasco - La púrpura de la rosa (excerpt)
4:41

Tomás de Torrejón y Velasco - La púrpura de la rosa (excerpt)

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  • Duration: 4:41
  • Updated: 30 Dec 2015
  • views: 1346
videos
Strophic dialogue: Y bien, ¿qué es lo qe adviertes? Chorus: Corred, corred, cristales
https://wn.com/Tomás_De_Torrejón_Y_Velasco_La_Púrpura_De_La_Rosa_(Excerpt)
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